June 7, 2026

This week, we looked at photography from both ends of the complexity spectrum. Sony pushed the boundaries of what's possible in professional filmmaking with a new large-format Venice 2 configuration designed to put a full-frame cinema sensor in places it couldn't go before. At the same time, we spent time with the Camp Snap 2, a deliberately simple camera built around the idea that not every photograph needs a screen, settings menu or instant feedback.

Elsewhere, we examined the uncertain future of GoPro after the company raised substantial doubt about its ability to continue operating as a going concern, and we stepped inside the meticulously crafted world of one photographer whose still-life images transform everyday objects.

Taken together, the week served as a reminder that the photography industry is rarely moving in a single direction—often advancing, simplifying, and reinventing itself all at once.

As always, thanks for being a reader and supporting our work.

- Ben

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